Franz Schmidt, (22 December 1874 – 11 February 1939)

Biography

Schmidt was born in Pozsony/Pressburg, in the Hungarian part of Austria-Hungary (today Bratislava, Slovakia) to a half-Hungarian father – with the same name, born in the same city – and to a Hungarian mother, Mária Ravasz. He was a Roman Catholic.

His earliest teacher was his mother, Mária Ravasz, an accomplished pianist, who gave him a systematic instruction in the keyboard works of J. S. Bach. He received a foundation in theory from Felizian Josef Moczik [de], the organist at the Franciscan church in Pressburg. He studied piano briefly with Theodor Leschetizky, with whom he clashed. He moved to Vienna with his family in 1888, and studied at the Vienna Conservatory (composition with Robert Fuchs, cello with Ferdinand Hellmesberger, and, for a few lessons, counterpoint with Anton Bruckner, who was already seriously ill at that time), graduating "with excellence" in 1896.

He obtained a post as cellist with the Vienna Court Opera Orchestra, where he played until 1914, often under Gustav Mahler. Mahler habitually had Schmidt play all the cello solos, even though Friedrich Buxbaum was the principal cellist. Schmidt was also in demand as a chamber musician. Schmidt and Arnold Schoenberg maintained cordial relations despite their vast differences in eventual outlook and style (Schmidt certainly shows a perceptible influence from Schoenberg's early, tonal works such as Verklärte Nacht, Op. 4, in whose Viennese première he participated as cellist, the Chamber Symphony No. 1, Op. 9 and the gigantic cantata Gurre-Lieder. Unable to procure a teaching position for Schoenberg at the Academy, Schmidt rehearsed his students in a performance of Pierrot Lunaire, Op. 21 which Schoenberg warmly praised). Also a brilliant pianist, in 1914 Schmidt took up a professorship in piano at the Vienna Conservatory, which had been recently renamed Imperial Academy of Music and the Performing Arts. (Apparently, when asked who the greatest living pianist was, Leopold Godowsky replied, "The other one is Franz Schmidt.") In 1925 he became Director of the Academy, and from 1927 to 1931 its Rector.

As teacher of piano, cello and counterpoint and composition at the Academy, Schmidt trained numerous instrumentalists, conductors, and composers who later achieved fame. Among his best-known students were the pianist Friedrich Wührer and Alfred Rosé (son of Arnold Rosé, the founder of the Rosé Quartet, Konzertmeister of the Vienna Philharmonic and brother-in-law of Gustav Mahler). Among the composers were Walter Bricht (his favourite student), Theodor Berger, Marcel Rubin, Alfred Uhl and Ľudovít Rajter. He received many tokens of the high esteem in which he was held, notably the Order of Franz Joseph, and an Honorary Doctorate from the University of Vienna.

Schmidt's private life was in stark contrast to the success of his distinguished professional career. His first wife, Karoline Perssin (c. 1880–1943), was confined in the Vienna mental hospital Am Steinhof in 1919, and three years after his death was murdered under the Nazi euthanasia program. Their daughter Emma Schmidt Holzschuh (1902–1932, married 1929) died unexpectedly after the birth of her first child. Schmidt experienced a spiritual and physical breakdown after this, and achieved an artistic revival and resolution in his Fourth Symphony of 1933 (which he inscribed as "Requiem for my Daughter") and, especially, in his oratorio The Book with Seven Seals. His second marriage in 1923, to a successful young piano student Margarethe Jirasek (1891–1964), for the first time brought some desperately needed stability into the private life of the artist, who was plagued by many serious health problems.

Schmidt's worsening health forced his retirement from the Academy in early 1937. In the summer and autumn of 1938, a few months before his death, Schmidt devoted himself to two commissioned works for the one-armed pianist Paul Wittgenstein: the Quintet in A major for piano left-hand, clarinet, and string trio; and the Toccata in D minor for solo piano. Schmidt died on 11 February 1939.